Showing posts with label Seamus Heaney. Show all posts
Showing posts with label Seamus Heaney. Show all posts

Saturday, August 31, 2013

From the Frontier of Writing, by Seamus Heaney: Requiescat in pace



From The Frontier Of Writing


The tightness and the nilness round that space
when the car stops in the road, the troops inspect
its make and number and, as one bends his face

towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover

and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—

a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.

So you drive on to the frontier of writing
where it happens again. The guns on tripods;
the sergeant with his on-off mike repeating

data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.

And suddenly you're through, arraigned yet freed,
as if you'd passed from behind a waterfall
on the black current of a tarmac road

past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.

Seamus Heaney

Friday, August 30, 2013

Irish Poet Seamus Heaney Has Crossed O`er the Hoary Sea, 1939 to 2013


Seamus Heaney, 1939 to 2013

The irrepressible, earthy and Nobel-Prize-winning poet-of-our-time, Seamus Heaney, died in Dublin on Friday after a short illness. You can read his obit almost anywhere now, which we, at Ecco Qua Press, cannot improve upon. (Here is the New York Times's.)

Heaney was known to us here personally, his having been a friend and colleague with our author, Bruce Guernsey (From Rain, Poems 1970 - 2010). They communicated about the book and Heaney was all grace and good will.

To honor his memory, we include a brief excerpt from a conversation Heaney shared at Harvard University (2011) with student Madeleine Beckman:


Trust your writing, but don’t always trust it will stay with you. I try not to give them too much hope. My own personality is skeptical and earnest and it’s my own attitude to my own work. I come here [to Harvard] and don’t write for five or six months of the year. Poetry isn’t important in one sense -- it’s more important to live your life and be a good person. Who cares about poetry, there’s plenty already around. Life is more important than art.


We close with a stanza of his poem: A Kite for Aibhín

After 'L'Aquilone' by Giovanni Pascoli (1855-1912)

Air from another life and time and place,
Pale blue heavenly air is supporting
A white wing beating high against the breeze . . .